“And polka dots. Be sure to watch out for polka dots.”
I lowered the notepad I was writing in to my lap and turned
my face to my old aunt. “Evil? What are you talking about, Aunt Catherine?”
The woman across the table was more than sixty years older
than me, but still she looked at me with child-like eyes. “It’s a little-known
fact that polka dots are the most evil thing in the known universe, Maggie.
Never forget that.”
“How could polka dots be evil?” I asked, closing the
notepad. I was definitely not writing anything else until she answered. “And
besides, you told me that no magic is good or evil on it’s own. You said that
it’s the user of the magic that chooses good or evil.”
“What patterns have we already covered?” Aunt Catherine
asked, pointing at my notepad.
I groaned. It would be like her not to answer my question
until I answered hers first. So I flipped my notepad back a page to where I had
started writing a few minutes before. “Lesson three: magic in patterns.”
“Beautiful rendition of the title,” she said with a smirk.
“Plaid and tartan: holds enchantments of heightened physical
abilities,” I read from the paper. “That’s why Scottish and English warriors
wore it as part of their military uniforms for hundreds of years. Until people
stopped believing in magic.”
“And part of why socks are still patterned with argyle
today,” Aunt Catherine put in. “Be sure to add that part.”
I wrote in the margin as she spoke, then read more from my notes. “Houndstooth: power of
persuasion. Someone working magic through houndstooth becomes very easy to
follow.”
“Only black-and-white houndstooth,” Aunt Catherine corrected. “That’s
why you see it so frequently on business attire. Someone wearing blue
houndstooth can make their words have the opposite
effect of what they say. And red houndstooth… well, that just looks
ridiculous.”
I scribbled more notes next to what I had already written.
“And under that,” Aunt Catherine added. “Be sure to put,
‘Polka dots: pure evil’!”
I wrote what she told me. “Aunt Catherine, why are polka
dots evil?”
“Why is the sun hot? Why is rain wet? We’re not meant to
understand everything, Maggie. Some things just are.”
I wanted to tell her that I had learned why the sun was hot
and why rain was wet in 6th grade science class last month, but I held
it inside. Instead, I asked, “If plaid holds physical enchantments, and
houndstooth can make a person more convincing, what does magic worked through
polka dots do?”
“Exactly what I told you. It does evil,” she replied, curling her hand like a claw when she said evil. “No matter what you try to do with
your magic through polka dots, it comes out evil. Trying to make your friend
lucky? They’ll get bad luck. Trying to get rid of an itchy rash? You’ll catch a worse rash. Trying to get school cancelled for the day? It’ll get
smashed by an asteroid.”
I looked up from my notepad long enough to raise a skeptical
eyebrow.
“It’s happened!” Aunt Catherine insisted. “Polka dots are no
laughing matter! They’re seriously bad news! Why do you think they were so big
in the 1950’s? We were in the middle of the Cold War! Everyone was having dark
thoughts!”
I knew nothing about the 1950’s, and I had no idea what a
‘cold war’ was, but if Aunt Catherine said so, then it made sense. I jotted it
down on my notepad. “Hey Aunt Catherine,” I began. “Why does magic flow so
easily through patterns?”
When she smiled, the lines beside her nose deepened. But
instead of making her look older, they actually made her look more vibrant, more full of life. “Why, the same way everything flows through colors and patterns,
Maggie,” she replied. “For example, describe what you’re wearing today.”
I looked down at my shirt. It was bright yellow, and on it
there was a cartoon of a walrus with a huge handlebar mustache and a top hat.
“Well, I’m wearing my fancy walrus shirt, a jean skirt, and gray leggings.”
“Why did you choose to wear those this morning?”
“Because it’s Monday, and fun clothes always cheer me up on
Mondays, because otherwise it’s the worst day of the week.”
She lifted her eyebrows and gestured with her index finger.
“See what I mean? Colors and patterns have a great effect on our emotions!
Another example: when you think of people who are sad, like at a funeral, what
color are they always wearing?”
“Black,” I responded instantly.
“Good,” Aunt Catherine replied. “But black is not always a
sad color. Black is reserved, inward-seeking. It doesn’t see to impose on
others; it simply wishes to be itself, accepted. On that idea, what color is a
bride’s wedding dress, usually? And what is it made from?”
“White,” I replied. “And usually something smooth, like silk
or lace.”
“White is an extroverted color,” Aunt Catherine said. “White
wants to be seen, to be heard. And magic worked through those slick fabrics repel other things – bad emotions, bad luck, bad magic – which only makes white
that much more outgoing.”
I nodded, enthralled by her story-telling. “Tell me some
more!” I prodded.
Aunt Catherine nodded sharply with her forehead. “Why? You
haven’t written down what I just told you!”
I looked down. Though I hadn’t realized it, my notepad and
pencil had fallen to the floor.
“Are you the next Weaver Apprentice, or ain’t ya?” Aunt
Catherine said, but there was some laughter in her voice. “How am I going to
teach you about the forces of creation and destruction, light and darkness,
order and chaos, if you don’t write any of it down?”
I laughed a little and stuck my tongue out at her, but wrote
down everything she had told me about weddings and funerals and black and
white. “What about paisley? You know, the pattern on handkerchiefs? What kind
of magic can you do with paisley?”
A sly smile crossed her face. “Oh, you’re not ready for
paisley yet, sprout. That’s advanced level stuff. We’ll be lucky if we make it
to gingham today.”
I playfully rolled my eyes at my great aunt, but continued
to write as I hung on her every word. After all, I liked the Weaver Apprentice
lessons. And, the longer she and I talked, the longer I got to put off doing my
math homework. Win-win!
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